Singing and Four Way coordination: Part 1
by Bill Stuhlly
In my teachings over the years I've adopted a "No Counting" method for playing the drum
set. Yes, counting is important, but being too focused on the numbers can get in the way in
real life situations where reading is involved. This approach to reading simply involves
singing the parts to internalize them. By singing the notes you will become conscious of
the rhythm instead of the count.
In this exercise we'll apply this method to a paradiddle and focus on one part of it at a time.
Play the full RLRR LRLL pattern and focus on just the rights. When you do that you have
this rhythm:
EX 1: Play the full paradidle Sing just the R.H. or HH part using the syllable "TI"
EX 2: Play the full Paradiddle Now focus on the L.H. part using the syllable "KA"
The singing is to be used when playing the rhythm slowly. Use the separation of the Snare
and the High Hat to help establish each rhythm. The focus of these exercises are to open your ears to the rhythm instead of making them just a patterns. Now add the B.D. on the quarter notes. The pattern will look like this:
The B.D. part should be sung, "BOOM" while playing the paraddidle. Once that is
mastered sing the R.H. part and then the L.H. part. The final four way coordination part
you'll add is the H.H. with the foot. Move the R.H. part to the Ride cymbal to hear all the
parts. Here's what it looks like:
When playing this pattern sing the H.H. w/FOOT as a "CHICK". Then sing the
B.D."BOOM", the R.H. part "TI" and finally the L.H. part "KA" Once you've
mastered all of these singing parts while playing you should start to hear all the rhythms
interacting with each other to form the groove.
About the Author
During his years on tour,
Bill has had the privilege of performing with many artists. Here is a short list: John Lee Hooker, Hypnotic Clambake, Mike Gordon (Phish), Susan
Tedechi, Leftover Salmon, The Fourhorsemen, Artis "The Spoonman", The Olives, Michelle Shocked, Blue Man Group, The Dirges, Opiate for the Masses and countless others.